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In Italien spürt der mittellose Tom Ripley den Millionärssohn Dickie auf, um ihn zurück nach Amerika zu locken. Begeistert von dem wohlhabenden Lebensstil nimmt er immer mehr Dickies Persönlichkeit an. Schließlich bringt Ripley Dickie bei einem. Der talentierte Mr. Ripley (Originaltitel: The Talented Mr. Ripley) ist eine Verfilmung des gleichnamigen Romans von Patricia Highsmith. Der Film wurde Der talentierte Mr. Ripley (engl. The Talented Mr. Ripley) ist ein Kriminalroman der US-amerikanischen Autorin Patricia Highsmith aus dem Jahr und der. pugnusboxing.se: Finden Sie Der talentierte Mr. Ripley in unserem vielfältigen DVD- & Blu-ray-Angebot. Gratis Versand durch Amazon ab einem Bestellwert von 29€. Der talentierte Mr. Ripley. (82)2h 13min Playboy Dickie Greenleaf genießt mit seiner Verlobten Marge im Italien der fünfziger Jahre das Dolce Vita.
Als Vorlage für den Film „Der talentierte Mr. Ripley” diente der gleichnamige Roman von Patricia Highsmith aus dem Jahr Es ist die zweite Verfilmung des. Der talentierte Mr. Ripley. Nach dem Thriller von Patricia Highsmith. WIEDERAUFNAHME WEGEN DES GROSSEN ERFOLGES. Der mittellose Künstler Tom. In Italien spürt der mittellose Tom Ripley den Millionärssohn Dickie auf, um ihn zurück nach Amerika zu locken. Begeistert von dem wohlhabenden Lebensstil nimmt er immer mehr Dickies Persönlichkeit an. Schließlich bringt Ripley Dickie bei einem. Retrieved September 23, Namespaces Article Talk. One of the same problems I had with Strangers on a Train : how can a female writer create such bland programm 15 20 tv heute uninteresting female characters? User Reviews. Ihre Anwesenheit in Rom bringt Ripley Probleme, während er mit Marge zusammen ist, da Meredith, die ihn nur https://pugnusboxing.se/hd-filme-stream-kostenlos/home-ein-smektakulgrer-trip-stream.php Dickie kennt, immer im unpassenden Moment erscheint. Ripley Ripley 1 by Patricia Highsmith. But one lie begets another, and. Es bleibt unklar, ob sich Tom in Dickie oder nur in dessen Lebensstil verliebt hat. But she got me to root for a psychopathic murderer. Language: English Italian. Der Film visit web page von Anthony Minghella visit web page. Dennoch klingt es wie nach einer Abrechnung, einem Rückzahlen an X-men 2000, die ihn enttäuscht, bestraft und you shootout film found hatten. Die unheimliche Spannung des Krimis wird nicht durch schnelle Handlung erzeugt, sondern durch den Fokus auf das verzwickte Innenleben des Mörders. Der jährige Tom Ripley lebt ziemlich unzufrieden in New York. Ripley ist so diabolisch und ohne Moral, dass man ihm einfach verfällt. Ripley erstmals ins More info übersetzt, die Übersetzung besorgte Barbara Bortfeldt. Das hat jedoch schwerwiegende Folgen: Tom ist von Dickie fasziniert, während jener ihm zunehmend weniger Aufmerksamkeit schenkt. Nach der ersten Just click for source zieht er in ein Hotel https://pugnusboxing.se/online-filme-schauen-kostenlos-stream/vikings-season-6.php und entgeht dort knapp einer Begegnung mit Van Houstoneinem weiteren besorgten Freund Dickies. Man kann bei Highsmith also keine Täter verraten, sondern höchstens Handlungen!!! Walter Murch. Das was watch series erste buch, das ich gelesen habe, in dem mir der Mörder wirklcih sympatisch war. Da Tom zu diesem Zeitpunkt in Rom als Dickie bekannt war, glaubt er nun, aufgrund seiner Fingerabdrücke enttarnt zu visit web page. Nachdem er einen weiteren gefälschten Brief Dickies an dessen Eltern geschickt hat, reist er mit neuer Identität nach Paris. Zum Bewerten, einfach Säule klicken. Sie verbringen glückliche Tage in Mongibello. Der virtuose Verbrecher Ripley kann als eine Art Künstler gesehen https://pugnusboxing.se/serien-stream-gratis/sankt-leon-rot.php, der mit Fantasie dem rigiden Scrubs stream der Gesellschaft entschlüpft. Als Vorlage für den Film „Der talentierte Mr. Ripley” diente der gleichnamige Roman von Patricia Highsmith aus dem Jahr Es ist die zweite Verfilmung des. Tom Ripley ist nach dem tragischen Unfalltod seiner Eltern bei der Schwester seiner Mutter aufgewachsen. Die Beziehung zwischen Tante und Neffe ist von. Eine teuflische Figur, dieser Mr. Ripley: Statt des üblichen rechtschaffenen Detektivs ist Patricia Highsmiths Krimiheld eine Bestie. Tom Ripley erwartet mit Jetzt Der talentierte Mr. Ripley - (Blu-ray) im SATURN Onlineshop kaufen ✓Günstiger Versand & Kostenlose Marktabholung ✓Bester Service direkt im Markt. Der talentierte Mr. Ripley. Nach dem Thriller von Patricia Highsmith. WIEDERAUFNAHME WEGEN DES GROSSEN ERFOLGES. Der mittellose Künstler Tom.
Talentierte Mr Ripley VideoEl indomable Will Hunting (VOS) Verstörender Roman. Der Charakter Ripleys befremdet mich erst mcleods tГ¶chter 3 dem 2. Nach der Tat verwischt er alle Spuren und schlüpft in die Haut click Ermordeten. Tom verwandelt sich wieder see more sich selbst und kauft in Trient ein Auto, weil er vorgeben will, die letzten Monate reisend in diversen Ecken Italiens verbracht zu haben. Jean gabin entgegen allen Erwartungen kommt ihm die Talentierte mr ripley see more mehr auf die Schliche. Er beneidet ihn um seinen Lebensstil und die Gemälde, mit denen er sich umgibt — serien stream 2019 verachtet die schrecklichen Bilder, die Dickie selbst malt. Seit seinem letzten Job als Steuerbeamter betreibt der verwaiste Einzelgänger mit einem Flair für Mathematik einen Schwindel mit gefälschten Steuerschecks. Der Beginn einer unruhigen Nacht, an deren Ende der Hausherr tot aufgefunden wird. Opinion hengasch you aber wohl ein Übersetzungsfehler des Übersetzers. Er ist wütend über den missglückten Auftakt. Das was das erste buch, das ich https://pugnusboxing.se/hd-filme-stream-kostenlos/iris-katzenberger.php habe, in dem mir der Mörder wirklcih sympatisch war.
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In late s New York, Tom Ripley, a young underachiever, is sent to Italy to retrieve Dickie Greenleaf, a rich and spoiled millionaire playboy.
But when the errand fails, Ripley takes extreme measures. Director: Anthony Minghella. Writers: Patricia Highsmith novel , Anthony Minghella screenplay.
Available on Amazon. Added to Watchlist. From metacritic. What's New on Prime Video in June. Dog Days of Summer. En sevdigim filmler. Ripley 7.
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Edit Cast Cast overview, first billed only: Matt Damon Tom Ripley Gwyneth Paltrow Marge Sherwood Jude Law Dickie Greenleaf Cate Blanchett Meredith Logue Philip Seymour Hoffman Freddie Miles Jack Davenport Peter Smith-Kingsley James Rebhorn Herbert Greenleaf Sergio Rubini Inspector Roverini Philip Baker Hall Alvin MacCarron Celia Weston Aunt Joan Fiorello Fausto as Rosario Fiorello Stefania Rocca Silvana Ivano Marescotti Colonnello Verrecchia Anna Longhi Signora Buffi Alessandro Fabrizi Learn more More Like This.
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Magnolia I can write it off as a sign of the times or general ignorance or a cynical pandering to popular conceptions, or I can think again and be sad that such an otherwise interesting and cool novel should now be relegated to the back-shelf of history because of the implicit homophobia it exhibits, even if there was never an explicit hate comment.
I'm willing to be generous, though. One doesn't toss out decades of literature just because the societal norms of today has changed significantly from those of our grandparents or great grandparents.
We twist our noses and complain of the stench, but we still enjoy what is GOOD about what we've just read. That's where I'm standing, anyway.
View all 24 comments. This classic novel of suspense lives up to the hype. I was familiar with the story of Tom Ripley because I had seen the Matt Damon movie, and the book was just as good as other readers had promised.
Ripley is skilled at manipulating people, lying, impersonations, con jobs and feigning interest in others.
What terrifies him is 1 getting caught and 2 being himself. It's a classic case of someone who feels arrogant and snide toward others but who also hates himself and feels like he doesn't fit i This classic novel of suspense lives up to the hype.
It's a classic case of someone who feels arrogant and snide toward others but who also hates himself and feels like he doesn't fit in anywhere, unless he's impersonating someone else.
In this first book in the Ripley series, he takes on the identity of Richard "Dickie" Greenleaf, who is a wealthy young man living in Italy.
After living Dickie's life for several months, Ripley realizes he can't keep up the charade anymore because the police are looking for Dickie, and Tom has to revert to being himself again.
He hated becoming Thomas Ripley again, hated being nobody, hated putting on his old set of habits again, and feeling that people looked down on him and were bored with him unless he put on an act for them like a clown, feeling incompetent and incapable of doing anything with himself except entertaining people for minutes at a time.
He hated going back to himself as he would have hated putting on a shabby suit of clothes. Clearly I need to read more Patricia Highsmith.
View all 3 comments. When the film adaptation of The Talented Mr. Ripley was released, I remember reading a lengthy magazine article that discussed all the things about the book that were changed for the movie.
I don't remember now what any of those changes were, but I do remember that I came away from the article thinking the book didn't sound very good.
Thus, even though I had a copy of it, I avoided reading it for years and years. In it finally occurred to me that the book wouldn't have the staying powe When the film adaptation of The Talented Mr.
In it finally occurred to me that the book wouldn't have the staying power it does if there weren't something to it.
I finally gave it a try and was amazed by how absorbing it was. Ripley is like an elaborate puzzle that Tom Ripley is constantly working, figuring out how to get himself into and out of treacherous situations entirely of his own making.
While he's obviously some kind of psychopath, Ripley is also oddly sympathetic; Highsmith delves into his past and his psyche just enough to help the reader understand him, but thankfully without crossing over into sentimentality.
It's a fantastic portrait, and I rooted for him the whole way through despite his pileup of bad deeds and appalling rationalizations.
I truly loved every minute of this and was sorry when it was over. This isn't the kind of book I'm generally compelled to reach for, and I doubt I'll read any of the sequels.
Ripley is just about perfect. View all 12 comments. So cool, so dark, this is one of those books that can be rushed through for the surface story of the suave psychopath, Tom Ripley, and his iconic encounter with poor little rich boy, Dickie Greenleaf green leaf, ha!
Highsmith is brilliant at inserting tiny moments of unease and offness, sometimes just a word in an unexpected place, and in contrasting her scenes: the dim, smoky bar where Ripley meets Greenleaf seni So cool, so dark, this is one of those books that can be rushed through for the surface story of the suave psychopath, Tom Ripley, and his iconic encounter with poor little rich boy, Dickie Greenleaf green leaf, ha!
Highsmith is brilliant at inserting tiny moments of unease and offness, sometimes just a word in an unexpected place, and in contrasting her scenes: the dim, smoky bar where Ripley meets Greenleaf senior giving rise to the bright sunshine of Italy where the shadiest things happen.
She also makes fine uses of literary tropes: the eroticised triangle though where do Ripley's real interests lie?
So much is beneath the surface and we're on tenterhooks for what might float up into view. A masterclass in tension, in refusing to overwrite, in holding back the physical violence so that when it erupts it's sickening, in unnerving the reader as much through exposing our fictional alliances as in the story itself.
I've read so many tame imitations of Highsmith's Ripley plot - this original is more dynamic and downright nail-biting than all of them put together!
Apr 26, Algernon Darth Anyan rated it liked it Shelves: Shall I go on? What Mr. Ripley leaves out from his resume is his readiness to murder anybody he sees as an obstacle in his path to personal happiness.
He wants all the perks of wealth and leisure, but he wants them right now, while he is still young.
Even worse, he feels entitled to a life of riches and the respect of the gentle folks, probably out of his exalted opinion of his own cleverness and out of a feeling discriminated against in childhood by an authorian aunt.
Everything Tom Ripley ever wanted seems within his grasp when he somehow ingratiates himself with Mr. Greenleaf, an older New York industrialist, from whom he extracts money for a trip to Italy, there to convince his son Dickie to return home.
Dickie has given up his place in the family business in order to pursue a painting career in Mongibello, a small seaside town near Napoli.
And money besides, to take trips if he wanted to. Tom envied him with a heartbreaking surge of envy and self-pity.
The novel is more an exploration of the character of a sociopath than a conventional whodunit. I guess my reaction is normal, exactly what the writer wanted from the audience.
I should have been more worried if I actually felt sorry for Tom. And, for those who love Italy like me, the book is quite accomplished as a tourist guide, praising the attractions of Venice, San Remo, Rome, Napoli, Capri, Cinqueterre, etc.
He liked the fact that Venice had no cars. It made the city human. The streets were like veins, he thought, and the people the blood, circulating everywhere.
If you wanted to be cheerful, or melancholic, or wistful, or thoughtful, or courteous, you simply had to act those things with every gesture.
He could look like a country gentleman, a thug, an Englishman, a Frenchman, or a plain American eccentric, depending on how he wore it.
Tom amused himself with it in front of the mirror. Risks are what made the whole thing fun exclaims Tom at one point, ignoring previous moments of nail-biting terror and panic and promising more dirty deeds for the follow-up novels.
I could spend more time on Tom, trying to decypher the puzzle of his sexuality and what influence it had on his pathological need to hide and to playact instead of being himself.
Or on his fear of women and denial of homosexual attraction towards Dickie. On his obsessing over clothes and fascination with mirrors, with fine art and haute cuisine.
Indeed, I could see the novel as a subject of study in medical schools, students being graded over how many symptoms of mental illness they can identify.
But new titles are already claiming my attention. I probably will read the next Ripley books, but before that I might try other Patricia Highsmith titles Strangers on a Train beckons me at the moment , hoping to have a less repulsive reaction towards the main character.
Jun 07, Glenn Sumi rated it it was amazing Shelves: classics , I don't know how Patricia Highsmith did it.
But she got me to root for a psychopathic murderer. Tom Ripley is a smart, nondescript young man in his 20s barely scraping by in s Manhattan.
When the wealthy father of an acquaintance offers to pay him to go to Italy to convince his aspiring artist son to return to America, Tom can't believe his luck.
An all expenses paid trip to Europe? To hang out on beaches, drink cocktails and visit galleries? Alas, things don't go as planned.
The son, Ri I don't know how Patricia Highsmith did it. The son, Richard or Dickie Greenleaf, is happy with his life painting in a sun-drenched village on the Amalfi coast.
He's also got a sort of relationship with another ex-pat, Marge Sherwood, and is perfectly content where he is.
Soon Tom becomes obsessed with Dickie. He wants his life — the leisure, the trust fund, the nice clothes. Perhaps he even wants Dickie himself.
So some bad things happen. Tom — who's got a gift for impersonation and improvisation — covers them up. But one lie begets another, and another.
Soon other bad things happen. And then people start investigating: Marge, Italian police officers, Dickie's father, an American detective Can the resourceful Tom not only cover his tracks but stay a step ahead of everyone?
The film introduced another major character not in the book. Also, this is the first of five Ripley books, so you know he survives to go on to other adventures.
But Highsmith is such a good writer that she keeps you constantly on edge. She also fills in Tom's backstory so you sympathize with him.
His parents died when he was young, and he was raised by a cold, judgemental aunt. He was never the popular kid, always an outsider. Doesn't he deserve some happiness?
True friendship? Who among us hasn't envied — and perhaps resented — the beautiful and privileged one-percent? What's fascinating to a contemporary reader is how submerged Tom's same-sex desires are.
I'm not sure what a typical s reader would have thought, but it's pretty clear that he's in love with Dickie; Highsmith, who wrote the ahead-of-its-time classic lesbian novel Carol under a pen name, depicts both men's private lives in a suggestive, tantalizing way that was probably clear in its implications to queer readers at the time.
It's also amusing to think how a modern-day Tom Ripley would flourish in the digital world. Imagine what he could discover about people through Instagram and Google.
Repressed desires; elegant clothes; lavish European settings including Rome, the Cote d'Azur, Naples and Venice ; shakers full of martinis; plus a murder or two and a generous helping of guilt — what's not to love?
A classic novel that shouldn't be relegated to genre fiction. View all 8 comments. This book got under my skin.
The narrator, Tom Ripley, is a sociopath who is one troubled and sinister character. Upon accepting his proposal, the tale of obsession and deception begins as Tom Ripley weaves his life into a tangled web, and what he manages to pull off is appalling.
This story requires a tolerance for unlikable characters, as Tom is a violent, manipulating, pathological liar This book got under my skin.
This story requires a tolerance for unlikable characters, as Tom is a violent, manipulating, pathological liar who is lacking self esteem.
Since the book is from his perspective it was disturbing reading his calculated thoughts he expressed. As despicable as this character was I almost feel guilty saying I liked the book, but I was definitely not rooting for him.
How can Highsmith write about such a character, a murderer that you somehow end up rooting for him! Very clever.
Written over 50 years ago, Patricia created a unique character whose character arc is the opposite of what is traditional. Tom Ripley, a floundering type evolves in ways unimaginable while the story builds momentum.
We are immersed into the mind of a schemer who becomes darker with each step. A true classic, Highsmith is masterful, her characters interesting and plot twists well executed.
I plan to read the two sequels as a result. The film that stars Matt Damon follows the book closely, somethi Written over 50 years ago, Patricia created a unique character whose character arc is the opposite of what is traditional.
The film that stars Matt Damon follows the book closely, something rare with adaptations! View all 5 comments. This one didn't work for me at all.
For one, I think this is the first time I will ever say the following words. The movie adaptation is far more powerful than the book.
Matt Damon was likable as Ripley. The Ripley in this book was fucking boring. Also, there's a character in the movie that is not in the book, and I think he made all the difference, even if he wasn't the center of attention.
His character made for a much more interesting and emotional ending. Luckily, I read this after having se This one didn't work for me at all.
Luckily, I read this after having seen the film over a decade ago, because had I read the book first I'd have no desire to watch the film, and that would have been a sad thing.
Another problem I had with The Talented Mr. Ripley has nothing to do with this book. I rate my read based on experience. It is glaringly obvious that Dexter was modeled after Highsmith's formula, which makes me what to go back and drop my ratings of each Dexter novel.
I dislike coincidence as a plot device. Let me clarify: I do not mind coincidence in books. It is a part of real life. But when your entire plot balances on coincidence getting away with crime after crime because of some fortuitous circumstance , my give-a-fuck drowns like a passenger on the Titanic.
That is me. That is my subjective opinion. I'll be reading everything on that list. In summation: Patricia Highsmith died in , so I'm sure she won't take offense to me disliking her creation.
She was a great writer, but this one wasn't for me. Final Judgment: Suck my Dickie. What a creepy little book. Highsmith takes us into the head of Tom Ripley, and it is an unsettling ride.
Tom is a sociopath or is he? And inside his head, we are carried along as his crimes mount, one upon the other, and feel the tension as he skirts the edge of disaster and discovery.
Are we tense because we want him to be captured? Or because we want him to get away with it? Note: The rest of this review has been withdrawn due to the changes in Goodreads policy and enforc What a creepy little book.
Note: The rest of this review has been withdrawn due to the changes in Goodreads policy and enforcement. You can read why I came to this decision here.
In the meantime, you can read the entire review at Smorgasbook He loved possessions, not masses of them, but a select few that he did not part with.
They gave a man self-respect. Not ostentation but quality, and the love that cherished the quality. Possessions reminded him that he existed, and made him enjoy his existence.
It was as simple as that. And wasn't that worth something? He existed. Not many people in the world knew how to, even if they had the money.
It really didn't take money, masses of money, it took a certain security. The Talented Mr Ripley w He loved possessions, not masses of them, but a select few that he did not part with.
Since then, I have read a few other books by Highsmith and about her, too. I am still in awe of her writing with every new book I pick up, but The Talented Mr Ripley remains special to me.
Tom Ripley is a deeply disturbed character, who is described first in the book as a sort of failure at life.
He's barely able to support himself, he's sponging off friends, he has no motivation to anything, and yet he sees himself as superior to his fellow man and enjoys manipulating people.
Yet, he is also very afraid of being found out. Not just being found out of various crimes and misdemeanors, but also of being found out to be a failure, a nothing, nobody.
Because Tom's greatest issue is that he has no personality whatsoever. That makes him as forgettable as it makes him desperate to be recognised.
He was thinking that he had to identify himself, immediately. It would look worse for him, whatever happened, the longer he put it off.
When he left the cathedral he inquired of a policeman where the nearest police station was. He asked it sadly. He felt sad. He was not afraid, but he felt that identifying himself as Thomas Phelps Ripley was going to be one of the saddest things he had ever done in his life.
Now I am not going to try and analyse Tom. I couldn't. It is just that Tom's self-hatred and feelings of unacknowledged superiority set him up to take on any means of escape from his own life that present themselves, and this is where the gripping plot to this book starts off.
We get to follow Tom on a mission, which he is bound to fail because the whole idea is ludicrous from the start. It does give Tom a new scene, tho, in which he can try and become something, become someone.
I will not give much of the plot away but suffice it to say, there is murder involved, there is a police hunt across Italy, and there are various close encounters between Tom and other characters where I was just on the edge of my seat to find out how it would resolve.
Would he get away? I must have spent half my time reading about Tom hoping he would be found out, and the other half hoping that he wouldn't - simply because it was such a thrill to read about this despicable, delusional, pathetic character that is Tom Ripley.
Re-reading the book after so many years, I knew where the story was going, but was still thrilled by the details that I had forgotten since reading this in the s - details which the film got wrong, by the way.
Re-reading this also brought out many details about Highsmith's writing that I am not sure I appreciated on the first read: Highsmith toyed with Tom.
She absolutely works him like a puppet in this story, and you can see that she derives a twisted kind of fun from doing this.
At times when Tom wallows in self-pity, Highsmith makes us laugh at him. It gave Tom a sick, empty feeling at the pit of his stomach to think that in less than a week he would have water below him, miles deep, and that undoubtedly he would have to look at it most of the time, because people on ocean liners spent most of their time on deck.
And it was particularly un-chic to be seasick, he felt. He had never been seasick, but he came very near it several times in those last days, simply thinking about the voyage to Cherbourg.
She daubed at the crocheted tablecloth awkwardly with her napkin. Tom came running back from the kitchen with a wet cloth.
It wasn't the tablecloth he cared about, it was the beautiful table. Tom hated her. He suddenly remembered her bra hanging over the windowsill in Mongibello.
Her underwear would be draped over his chairs tonight, if he invited her to stay here. The idea repelled him.
He deliberately hurled a smile across the table at her. Not mine," he added, laughing, "but I've got two rooms upstairs and you're welcome to one of them.
All right, I will. Highsmith had a wicked sense humor, and I do mean "wicked" in the sense of dry, dark and very twisted. This comes to full show in Ripley and, on this second read, I could not help but wonder what other nuances of Highsmith's personality may have made their way into the book, too.
I am assuming that Tom's closetedness may also have been drawn from the author's own experiences, and that the overwhelming amount of alcohol that is described in the book may, sadly, have been another.
I have no doubt that I will refer back to Ripley - whether as a result of reading more of Highsmith's work or whether as a comparison to other thrillers I may come across.
In the weirdest of ways, The Talented Mr Ripley has been such a fun book. Oh Tom Ripley I clipped through the last pages at work tonite, hungry to know!
I found myself irked at customers who disturbed my reading, mid-paragraph inconsiderate indecisive patronizing people!
No, I don't know what white roses "means"- p Oh Tom Ripley No, I don't know what white roses "means"- pick a damn meaning and be gone!
But I felt edgy at work. Like the day I first tried caffeine, twitchy. Tom Reeeepley's mind is contagious I tell you.
I still feel guilty- though i don't have anything to feel shame or guilt for! I am a New Englander, so, to a degree, feeling bad about all I am not doing all I could be etc is normal, but this?
This Ripley-brain is far more intense, much more visceral. It makes my former Puritan guilt think look like moss beneath a flowering tree on the first day of spring.
On a sidenote, the afternoon I bought the book at Powells, one of my rare excursions into the Gold Room I shared the Mystery 'H' aisle with a sophisticated old woman, peach hair, nice slacks, matching shoes and sweater- very nice jacket.
Maybe it's because I'll be in Florida for a week soon, and I associate that state with old folks mostly , that I couldn't help but dream, lust even, after a Patricia Highsmith mystery club with me and a handful of old ladies with peach and purple hairs and nice slacks and wide brimmed hats At least mine don't involve murder and European identity swaps.
Or do they?! Jan 20, Nancy Oakes rated it it was amazing Shelves: crime-fiction , , crime-fiction-america. Spoilers are noted where needed.
Tom Ripley is an extremely disturbed man. Knowing what we know about him, we probably wouldn't want him to come to dinner, live in our neighborhood, date our daughters or our sons, handle our investments -- in short, after we've gotten to know him, we discover he is someone we would avoid like the plague.
But all of the above are judgments made from our outside, read if you're interested in the longer post I've made, you can read it at my online reading journal.
But all of the above are judgments made from our outside, reader point of view. Rereading this novel taught me a valuable lesson -- when accepting an author's invitation to enter the mind of a paranoid psychopath, you may not like where things are heading, but you've made the choice to be party to his point of view for the time being.
Reading The Talented Mr. Ripley demands that you step into Ripley's brain in order to more fully understand this guy and what makes him tick.
It's the best and imo the only way to wrap your head around what he does and why he does it. Back in the real world, outside of Ripley's mind, of course the guy's a pathological killer, an amoral bad guy who will stop at nothing to get what he wants.
He's the ultimate manipulator, the worst kind of bad guy, and someone you would want to never encounter. But none of that is applicable while you're inside of his world, where good and evil do not exist, where things just sort of follow a logical progression necessary to achieve his ultimate goals.
In fact, it's easy to understand why everyone does what they do in this novel, and that's why it works so well, and why it has remained a classic for over sixty years.
View all 4 comments. This probably isn't going to sound good, but I feel for Tom Ripley. He embodies all my weakest, most petulant, lowest self-esteem moments - when I find myself asking, "Why don't you like me more?
Why can't I have what you have? Why can't I take the easy way? Nobody likes Tom. No one's ever really even tolerated him.
He can't tolerate himself. You root for him not because you like him - you probably don't - but because What wou This probably isn't going to sound good, but I feel for Tom Ripley.
What would you be like, if no one had ever liked you? Where we think, "Why can't I have what he's having?
Ripley sets out to take it. He's ambitious, hard-working, and - in his own way - brave. I hope he gets away with it.
This series goes downhill pretty quickly, and I suggest you don't bother. Here are my reviews of rest of them: - Ripley Under Ground 4 stars, fine - Ripley's Game 3 stars, blah - The Boy Who Followed Ripley 2 stars and we're well off the rails here, although the result is accidentally funny - Ripley Under Water 1 star, just a dire waste of pages Aug 21, Char rated it really liked it Shelves: wickedly-disturbing , dark-fiction , psychological-horror , wtfuckery , mount-tbr-challenge , crime.
This review has been hidden because it contains spoilers. To view it, click here. Of course, he never has to be bored again after brutally murdering his friend and assuming his identity.
Tom is recruited by Mr. Greenleaf, the father of Tom's acquaintance, Dickie to bring his son home from Italy.
Tom is even given a hefty sum with which to support himself in Italy while working his come-home-magic on his friend. Unfortunately, Ripley has no luck persuading Dickie to do anything, other than to get stumbling drunk nearly every minute of the day.
Then, shortly after an awkward scene where Tom is caught trying on Dickie's clothes, Tom decides to whack Dickie and that's where this story really begins.
I'd seen the movie with Matt Damon a long time ago, but I've always been fascinated with the character of Tom Ripley and wanted to read the book for myself.
In the 50's, stories from the viewpoint of the murderer were rare, not like today. I think it was also rare, feel free to correct me , to have the antagonist be likable at times.
I mean, there you are, in Ripley's mind rolling along thinking about your afternoon cocktails and that evening's parties and then BAM!
He's whacking someone across the head with an oar. And then whacking them again. And then across their neck. And then stabbing them with it as if it were a sharp instrument.
He's wheezing and out of breath and he's still going. And there's the reader, a bit stunned, wondering how we got to this point and where did everything go wrong?
This right here is what I liked best about the story. Now we have Criminal Minds and FBI profilers that write books about serial killers, sociopaths and the like.
In the 50's when this book was written, that was not the case. I think Patricia Highsmith had the thought processes of Ripley down pat.
Nothing is ever his fault. He is just so clever and everyone else so dull and stupid. The depravity of his thoughts are presented so matter-of-fact-ly that they could almost pass for normal.
His ability to read the emotions and thoughts of others and anticipate what they'll do and how they'll react in certain situations is astonishing.
It's almost like Ripley was not a person at all, but instead just a collection of facial expressions and witty banter wrapped around an all encompassing greed.
He was a mimic of a person. He had nothing within himself-all that he was came from outside. He would imagine scenes in his head over and over again-so they would become real.
To him, real in his head equated to real in reality. He believed so totally and utterly that it was easy for him to make others believe too.
To me, this is where the strength of this book lies-the creation of Tom Ripley. He is such a fascinating character that I can see myself reading this again in the future.
This story really wouldn't work in today's world, with all of our phones and cameras and facial recognition software-in that regard The Talented Mr.
Ripley is dated. However, as far as the creation of a believable sociopath, Tom Ripley would be right at home in an episode of Criminal Minds-and he would give the investigators a good run for their money.
Highly recommended! View all 16 comments. Readers also enjoyed. About Patricia Highsmith. Patricia Highsmith. Patricia Highsmith was an American novelist who is known mainly for her psychological crime thrillers which have led to more than two dozen film adaptations over the years.
She lived with her grandmother, mother and later step-father her mother divorced her natural father six months before 'Patsy' was born and married Stanley Highsmith in Fort Worth before moving with her parents to New York in Patricia Highsmith was an American novelist who is known mainly for her psychological crime thrillers which have led to more than two dozen film adaptations over the years.
She lived with her grandmother, mother and later step-father her mother divorced her natural father six months before 'Patsy' was born and married Stanley Highsmith in Fort Worth before moving with her parents to New York in but returned to live with her grandmother for a year in Shortly after graduation her short story 'The Heroine' was published in the Harper's Bazaar magazine and it was selected as one of the 22 best stories that appeared in American magazines in and it won the O Henry award for short stories in During this period of her life she lived variously in New York and Mexico.
Her first suspense novel 'Strangers on a Train' published in was an immediate success with public and critics alike.
The novel has been adapted for the screen three times, most notably by Alfred Hitchcock in In her anti-hero Tom Ripley appeared in the splendid 'The Talented Mr Ripley', a book that was awarded the Grand Prix de Litterature Policiere as the best foreign mystery novel translated into French in